llllll³i*=*Y³llllllllllll;;;;;;;lllllllll;;;;;llllll;;;;;;;;;;llllllll;;;;;;;; lll$Ù' .,Â,. '$llllllllllllllllllllll³7Ùü4lllllll7Á*T$llllllllllllllllllllllll lÀ' ¿³iiiiib :lllJJJJlllŸŸlJJllllJ$ý ,lJlllJJib. .lllJllllJJlllllJJllllllJ ' ¿$JiJJiJi' jlJJllJlŸŸlllllllJlJJlb. `4Jlllll7` .diJJJlllllJiiJJJiiJJilllll jiJJJJiJJiyiJJJJJllJŸŸŸŸŸlllTTTTlJlJb. `4JJ7` .dJJJJJJiJJJJJiiiJJJJJiiJJiJJ  SJJJ788JJJ8J888JJJJ8J88J888JJJJ888JJJJ. `7 ÙT³JJJ8JJ8üÙ/³88J88JJFü'^`'ü/  SJJ888J$J$³JJJ87ý'^``^Ù$7ý'^`^ý4J88F' .a. . `ÀS88J' J88J'^` .#$$$/.  :J88JJ8$, `ý7` ,g#€a .d$88l `$' .488$. .8$%. `T' .d8JZ: *=Ùü'^`  Y888$$88.`p j88$8$ .$88$88 ' j8$$888 :8$88b ú j88$8$J _.,¿©g% . Ù´$8³³7 .$ ù8$$8$; l8$$8$' ù$88$$$ ´8$$8; 8$$8$7 `/³$$$8$ 8b. `` s$' ÙT*' .`Ù*ý` .d. 'ÙY*' ., Ù$$$l . `Ù*Ù' ¿ '/, `^'^` 'Ù*$˜pÚ,¿g%$À' .€a,.__.,d$b,.__.,d³ü´a._ _.dû$b, `` .$Ú,.,¿d8$L :$SpÚ¿\  ``',$$' ,$7'üÙ**Ùü'`'Ù**Ù'` `'Ù*TT*Ù' `ý*$#pª¿¿%$$$88$$$$$88: 4$Y`'üÙ  d$` :$7 .¿$$³º€€€ÃÃ$$$$$$$$$$ :$:  ;$l .$7 ¿$$Ù'` `''ÙT$T*' :$l  :$l ú$l j$7 .g#€$$€€#Ú,._ .$$'  Y$. `$b :$: Ù$Y^```^'üÙ*TÃ#yy%€$7'  Y$Ú._.$: Y$, Y$ù `''^`  `ÙS$$7' '$b¿$7  `'ý' remixed mrk ascii. these are dredged up from long ago. felt kind of bad that he never received credit for being a good font artist just because he had rough shaping. this was revolutionary for that era. compared to the festering status of fonts today. COME ON people. reinventing yourselves isn't that hard. madonna did it, janet jackson did it, even sam donaldson did it. let's all follow the examples set by these big breasted superstars. kind of ironic that i say this at the bottom of a remixed ascii. oh well.   -The Upright Man [Remorse 1981] SAUCE00Remixed MRK The Upright Man Remorse 19980630O P